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The Kerala worldview is steeped in a specific brand of dark, self-deprecating humor. It is a coping mechanism for everything from political disillusionment to financial ruin. The iconic Sreenivasan-Priyadarshan collaborations of the 80s and 90s ( Vadakkunokkiyantram , Sandesam ) perfectly captured the middle-class anxiety of the time. Today, this manifests in the brilliant, deadpan humor of characters in Porinju Mariam Jose or the absurdist comedy in Romancham . The Malayali’s ability to laugh at himself is perhaps his greatest cultural trait, and cinema captures it flawlessly.

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