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| North West corner Latitude: Longitude: |
| South East corner Latitude: Longitude: |
| Sampling Poinst: N-S axis: W-E axis: |
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Go to the desired location in the map, set two markers by clicking the map to define a rectangle (or enter coordinates manually). Click the button [get data]. Optionally you can change the number of elevation samples you want in each direction, the more the better (max 400). You can also change the number of contours or set custom contour values. You can save some data in cookies, however there is a limit. Use the manual saving text areas below alternatively.
This service comes without any warranty whatsoever, including but not limited to functioning or correctness.
Resources: This service uses ArcGIS Map by Esri, the OpenStreetMap, Geocoding by Nominatim, Mapzen, Leaflet, jQuery and the CONREC contouring algorithm by Paul Bourke and Jason Davies.
Created by Christoph Hofstetter (christophhofstetter (at) gmail.com) 2013-2025If you want to have the contour maps as an individual layer (e.g. to create overlays) you can copy the code underneath the image below and save it as an svg file. Please note, as for now, the drawing below is square and you may want to stretch it to cover the actual area in a map.
| Download SVG file |
| Download KML file |
You might ask: Why chase "extra quality" when I can rent it on Amazon or Apple TV?
This guide explores what makes Antichrist a cinematic triumph, why seeking out a high-quality version is essential for the full experience, and how to find the best editions available. Why Visual Quality Matters for Antichrist
Rather than endorsing or condemning, the film stages an irresolvable debate: Is nature inherently cruel (the fox eating its own entrails), or is cruelty a male imposition? He (the rational therapist) tries to confront She’s fear through exposure therapy, but his method—forcing her to relive trauma—mimics the patriarchal “cure” that is itself a form of persecution. The climax, involving a grinding stone, scissors, and a drill, is not merely gory but symbolic: the “gynocide” of history becomes self-inflicted and mutual. The film’s extra quality is its ability to make viewers argue over whether it is feminist or deeply misogynist, often concluding it is both—a contradiction that mirrors the psyche it dissects.