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Frances McDormand ( Nomadland , Three Billboards Outside Ebbing, Missouri ) McDormand doesn’t play "aging gracefully." She plays aging ferociously. Her characters are rough, wrinkled, and unapologetically angular. In Nomadland , she rejects pity. In Three Billboards , she weaponizes her grief. She has proven that a 60+ woman can carry a Best Picture winner not by pretending to be 40, but by staring into the abyss of time and spitting into it. Performers like Ember Snow serve as avatars for