Above the bass, high-frequency arpeggios (arps) twinkle throughout the track. In the MIDI view, these appear as rapid, cascading sixteenth or thirty-second notes. However, the key here is the mute data. The MIDI shows that these arps are not playing constantly; they are toggled on and off to create dynamic shifts. During the verses, they are muted to allow the vocals space. During the build-up, they are introduced to raise the energy. This automated on/off switching is what gives the track its "breath."

If your MIDI sounds robotic, humanize the velocity of the piano notes to mimic Sharon den Adel’s vocal phrasing. If you'd like, I can:

C Major 7 - G7 - F Major 7 - Am7

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