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This paper examines the design characteristics of the "Farida" paper vase model, widely recognized within the Origami Sekkei (origami design) community. The analysis focuses on the mathematical elegance of its structure, specifically the utilization of regular polygons and rotational symmetry. By deconstructing the crease pattern and folding sequence, this study illustrates how the Farida model exemplifies the transition between two-dimensional geometry and three-dimensional spatial volume. For those who have encountered A4U Farida online,