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The Japanese adult visual novel industry has long explored taboo familial relationships, particularly the “mother-son” (katei na rabu) scenario. Within this crowded field, Boku ga Okaa-san to Konna Koto ni Nacchau no wa Toriaezu Hyoudou Hijiri ga Warui (henceforth Hijiri ) stands out not for literary merit but for its aggressive narrative framing: the protagonist explicitly disclaims responsibility, attributing his incestuous descent entirely to a third-party female character, Hyoudou Hijiri. This essay argues that Hijiri functions as a case study in the erasure of maternal agency, the normalization of coercive scenarios through humor and externalized guilt, and the peculiar Japanese bishojo game trope of the “corrupting agent.”

: The series typically consists of multi-part chapters released as digital manga. Content Context The artist -Hy-dou--Hyji---Boku-ga-Okaa-san-to-Konna-Koto-...

: Unlike many short-form doujinshi that jump straight to the action, this work spends time on the psychological "push and pull" and the atmosphere of the domestic setting. The Japanese adult visual novel industry has long