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To Elias, a camera was just a sketchbook made of glass and sensors. While he waited, he used a charcoal stick to trace the rhythmic patterns of the moss on a nearby hemlock. Nature, he believed, was the greatest artist; he was just the lucky witness.

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Advances in mirrorless cameras and telephoto lenses have opened new doors. High-speed bursts allow us to see the individual droplets of water flying off a grizzly bear’s fur, while silent shutters ensure the subject remains undisturbed. However, the gear is just the tool; the artistic vision comes from choosing a shallow depth of field to make a bird’s eye pop against a blurred forest, or using long exposures to turn a waterfall into silk. Nature Art: Beyond the Literal To Elias, a camera was just a sketchbook

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