If you have a different kind of film or a non-explicit historical, technical, or archival question (e.g., about portable film formats, vintage color reversal stocks, or Danish film history), I would be glad to help with that instead. Please clarify your intent.
| Aspect | Details | |--------|---------| | | Jens Kjeldsen – a veteran of the Color Climax crew who had previously helmed several experimental titles. | | Cinematographer | Lars Pedersen – known for his skill with colour grading, which gave the film its trademark vivid palette. | | Location | Shot primarily in an old warehouse‑turned‑studio in Østerbro, Copenhagen, allowing for both intimate indoor scenes and a small‑scale stage set. | | Budget | Approximately DKK 500,000 (roughly €67,000 at the time), modest by mainstream standards but generous for a niche adult‑film production. | | Release date | September 2002 – the period when DVD portable cases were gaining popularity across Europe. | | Distribution | Distributed via the Color Climax “Portable” line, sold in adult‑shop chains, specialty video boutiques, and later through an online catalogue that offered a mail‑order option. | color climax film nr 1391 44 portable
| Item | Details | |------|----------| | | Color Climax Film Nr 1391 – 44 Portable | | Year | 2002 | | Format | DVD (Portable case, single‑layer) | | Runtime | ~78 minutes | | Genre | Erotic / Performance‑Art / Experimental | | Key Themes | Repetition, control, artistic perfection, group dynamics | | Notable Crew | Director Jens Kjeldsen, Cinematographer Lars Pedersen | | Collector’s Note | Original sealed portable case with booklet is most valuable; watch for “44” sticker wear. | | Where to Find | Specialty adult‑film shops, reputable online auction sites, occasional library archives that hold European adult‑film collections (for research purposes only). | If you have a different kind of film
One of the significant challenges of shooting with film, especially with a portable model like the Color Climax Film NR 1391 44, is the limited number of exposures. Film rolls have a finite number of shots, typically 50 or 100 for Super 8 cameras, forcing users to be more deliberate and thoughtful about what they choose to capture. | | Cinematographer | Lars Pedersen – known
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