Sastre uses seasons and the passage of time atmospherically. The novel suggests that time is not a straight line but a collection of moments where things are constantly ending and beginning simultaneously.
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Page one wasn't a chapter. It was a photograph—a scanned Polaroid of a boy of about seven, standing in a field of sunflowers in rural Spain, holding a rabbit with a broken leg. On the back, in my father's cramped handwriting: "The day I learned that saving something doesn't mean it will stay." Sastre uses seasons and the passage of time atmospherically