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Imagine you have a complex 3D PiP with masking and color grading. Instead of rendering the entire project, you select the clip, hit , and EDIUS renders just that clip to an HQX AVI file, replacing the original in the timeline. This allowed editors to build "complex segments" while keeping the rest of the timeline completely dynamic.

The most significant technical leap in 6.5 was native support for AVCHD Progressive (1080/60p). This format, used by cameras like the Panasonic AG-AC130/160 and Sony NEX-EA50, doubled the temporal resolution of consumer HD.

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To understand the hype, you have to look at the video landscape in 2012-2013. HD was king, but hardware was expensive. Multicore processors were still maturing, and GPU acceleration was in its infancy. Most NLEs required you to render effects before playback.