This paper explores the theoretical intersection of religious iconography, digital intimacy, and entrepreneurial self-branding through the satirical lens of a fictional “Jesus VIP OnlyFans” persona. By analyzing the cultural logic of subscription-based social media platforms, the study examines how sacred figures might be reimagined as content creators in a post-secular, attention-driven economy. The paper argues that such a parody reveals underlying tensions between spiritual authority, commodified authenticity, and the precarious career structures of digital labor.
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Jesus currently has the largest free subscriber base in history. Roughly 2.4 billion Christians claim to follow the content. But engagement is low. Sure, they like the posts, but do they subscribe ?
Accessing content through official platform links ensures that the transaction is secure and that the creator is being compensated for their work.